Should a part or screw fall out it will not go far and can be seen.įirst, do not remove the lens from the back plane frame, there is no need to access the lens from that side. Use a clean white towel on a well lighted table as your work area. Zero, before you start handling the lenses wash your hands. The usual disclaimer, use the lessons learned at your own risk. Here are my lessons learned from repairing a couple of used "chrome" Mamiya TLR lenses. Again, the glitch in the Matrix.For the older photographers in our forum, that use or plan to use Mamiya TLR cameras and lenses. We stopped along Water street in the vicinity of the Berliner to take a few pictures of Melissa. If you’re shy and find it hard to approach people, simply parade around with a classic camera, and sooner or later, someone will buy you a drink. It’s a great ice-breaker, and it’s not just TLRs. TLRs just look, well, strange, especially in the smart-phone-digital-camera age.
I get the same treatment with the Yashica Mat 124G or a Rolleiflex. It’s the rarity of such sightings that bring camera aficionados in for a closer look and a kind word. I was loitering outside Bluemercury while Coralie received a makeover, when a guy walks up and says, “Hey, cool camera!” Wearing this camera is like strolling the street with a hot chick on your arm other guys just wanna be you! Seriously, though, you don’t see a twin lens reflex (TLR) camera very often out in the wild nowadays. It’s also cool to be seen with this camera, as the picture above attests to. ( Regardless of how it feels in the hand or how it compares in weight to the Mamiya, the Yashica renders incredible images.) If I had to negotiate a tough neighborhood, I’d grap the Mamiya, as it can serve as quite an effective weapon! The Yashica Mat 124 G is perhaps one of my favorite cameras of all time, ranking up there with the Nikon F3HP, but the Yashica feels like a little, rattly, tin can of a camera compared to the Mamiya. It’s easily three times as heavy as the venerable Yashica Mat 124G and twice as complicated to use.
Mamiya c330 repair lens manual professional#
Walking around with the Mamiya C330 Professional is no picnic. On a typical day, Cat-Cat La Chat, as we call her, eats and retires to the couch, where she snoozes until recharged and ready to return to the rough and tumble outdoors. If you’re hungry and happen to be passing by, dog, cat, bird, mouse, doesn’t matter, stop in for a snack and a square meal. Now, I have a soft spot for any critter that presents itself at my door, and kindness such as this becomes known throughout the animal kingdom. It’s a community cat that likes to hang out in our house. I continue shooting and get what I think is a cool shot of the cat. I never grow tired of taking pictures of dead grass and Christmas tree lights, and the backyard has become a sort of proving ground for newly acquired cameras and lenses.Īgain, the glitch in the Matrix strikes, with ramifications I have yet to fully comprehend. In times like these I get a bit lazy and default to the back yard. After about 20 minutes of familiarity training, I loaded a roll of film and scouted the house looking for image opportunities.
Mamiya c330 repair lens manual how to#
A detailed reading of the user manual is in order to learn how to do everything from opening the back cover, loading film, changing lenses, swapping out the distance scale, to advancing the film and taking pictures. You just can’t pick up this camera cold and start shooting with it. The Mamiya C330 Professional requires a bit of getting used to. Sometimes, equipment malfunctions create happy accidents. When I returned home, developed the film, and cast my eyes upon the first set of negatives, I realized something definitely was amiss. During the shoot, I had my suspicions something wasn’t quite right with the camera. Subjects included a few around-the-house shots, and a wonderful young woman, Melissa, who accompanied my wife Coralie and me along the Georgetown waterfront under the Whitehurst Freeway, as we strolled along heading for Chaia Tacos and Hill & Dale Records. This had been on my to-do list since the beginning of 2019 when I made this post: New Year’s Resolution: Shoot More Film in 2019.
I had the chance finally to take my Mamiya C330 Professional out for a spin and run two rolls of Ilford Delta 400 120 through it.
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